Smart music advice for creative people.

How to Ignite a Passion That You Thought Was Dead (Plus a Giveaway!)

How to Ignite a Passion That You Thought Was Dead

There are many reasons we phase out of doing something we love, and often we don’t notice how far we’ve strayed until we’re long gone.

I was in the garden, watering, when my neighbour’s piano-playing filtered through like the ghost of an old friend. This neighbour and I had never met, but we’d shared the same taste in piano music and I’d come to imagine a nice girl with long black hair behind the keys. Un Sospiro, La voix de l’instrument, only she’d continued her daily practice.

I had the urge to march through their lawn and ring that doorbell, and compliment the perseverance of this brave and interesting (hypothetical) girl I’ve been connecting with. Of course, confrontation isn’t my style, so what I did was march past my own lawn and into my own piano studio, to practice the Italian Polka that I haven’t touched in ages.

I’m sharing this story because I’d thought my Chopin Nocturnes wanted to stay off the stage for good. That is, until I’d come across Trisha Miltimore’s work on igniting passion and heard my neighbour’s impassioned drilling on ten right-hand notes, that I used to do so long ago as well.

The first lesson here is that those ‘boring’ scales you play or listen to might be the very thing you miss in five years’ time, so enjoy the moment. Musicians and piano teachers burn out– that’s cool. Take a break and get back on your game.

The second lesson, is that you can make anything happen, if you wanted to. So I’m thinking that I can create a different kind of stage to share music on, with the Artiden community.

Trisha has great energy for igniting passions (like a no-nonsense personal cheerleader!), so I asked her for her top three tips on igniting a passion, in case you need that kick as much as I do. Here’s what she says.

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How Comfortable Are You With Your Wild Side? Here’s a Quiz.

Being wild isn’t the same as being comfortable in your own skin.

A pianist can be wild in the practice room but uncomfortable displaying this onstage. We have so many names for this– nerves, performance anxiety, butterflies.

I’ve interviewed performance experts around the world, and so many of them suggest that the playing must push aside the mundane thoughts that occupy your mind. In other words, love the moment so much that you cannot possibly care what others think.

Years later, I’ve finally figured out how to hop into that mindset.

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Favourite Moments of Spring/Summer

Before we welcome the fall season, let’s look at how the past few months were enjoyable, interesting, and most of all, worth anticipating.

The Ultimate Guide to Starting a Group Music ClassThe Ultimate Guide to Starting a Group Music ClassThe Ultimate Guide to Starting a Group Music Class

Starting the Design Lab course was one of my major experiments this summer.

I like that it was a difficult project, that sometimes I ignored my guts and slapped my forehead afterwards, that I was humbled and delighted to meet so many inspiring people who believed in what I was doing. The entire process from pitching to creating the course, was a learning experience. Here are the biggest lessons I learned.

What Every Musician Should Know About Performing Under Pressure

Performing under pressure isn’t the easiest task. Here are light-hearted ways to beat the jitters.

What to charge for a bit of your time

Business is such an important (and intriguing!) part of our world that it’ll serve you well if you know how the game works. It starts with the small, simple stuff.

Recovering from a traffic wreck is a mind game that has nothing to do with practice

Learning to drive is not easy for someone who’s been in a serious car accident. Still, let’s start the journey.

Teaching Music: How to be a Music Teacher

We explored how to be a superstar music teacher, especially after an influx of readers emailed me about not being able to do what they love because they don’t have the “necessary ” university degrees!

How to Be More Productive

If your to-do list is sporting a million tasks right now, this article might come in handy.

How Practicing Can Get More Productive... by Talking to Your Mom

Having a mentor is a powerful relationship. The process of writing this article convinced me to become pro-active about seeking mentors in my life. And you know what? Having mentors is awesome.

How Many Hours Should You Practice Everyday?

This is the first time I’m spelling out how many hours a musician (especially pianist) should practice every day. Of course, my favourite part of this article is the discussion afterwards (in the comments section)– why don’t you join in?

3 Non-Sketchy Ways to Gain Students Using Your Music Website

A small tweak can make a big difference, especially when it comes to design– and using a website to gain music students.

Looking for music motivation? Get it here.

We all have our down-days, but here’s some daily music motivation to keep you going.

How Musicians Can Give Better FeedbackHow Musicians Can Give Better Feedback

By chance, I learned a system that helps you communicate better– being on the shy side, I was surprised that getting on someone’s good side can be this simple.

Ann Makosinski and Grace Miles

Ann Makosinski, who invented the body-heat powered flashlight, inspires me a whole lot. I think you might like this video as well.

Grace Miles and Christopher Gaze at Bard on the Beach

The arts scene isn’t going down anytime soon! I went to a Shakespeare play for the first time in a few years, and here are a few quick tips to have a good time.

Grace Miles

I’m big on systems, especially when they make life better. This is a quick intro on building systems (which, is also quite fun!)

In the next few months, we’re going to explore ways to build more systems in our lives and do awesome things with them. I’m currently planning new content– is there something you need help with, in music or business? Let me know by leaving a comment below, and I’ll try to include it!

How to Make Music So That People Want to Listen

How to Make Music So That People Want to Listen

Do you believe in Steinways– legendary hand-made pianos?

Whatever type of instrument you love, there’s a way to make music so that people want to listen.

This summer, I am taking intensive ballet classes. During a break, I step into a Tom Lee music store in downtown Vancouver. I ask the saleslady to tell me about the grand pianos–because, why not?

She sits me at seven grand pianos where I play the same Un Sospiro phrase. None of these sounds repulse me anymore– although some are more favourable, nothing feels perfect.

“Come,” she says. “I want to show you the Steinway room.”

Outside, spotlights shine in the main showroom and my ballet bodysuit-shorts combo feels chilly. Inside, the Steinway room is saturated with spotlight-light.

At the first piano, a Boston, two of the keys are a smidge out of tune and most of them feel sticky with something that is, the saleslady suggests, ice cream.

Some of the pianos sound alright. I love white grand pianos, although it’s a rule that white grand pianos in display rooms sound weak.

The Steinway with the touch I like best is a wood-finished concert grand that costs 1/3rd of a small Vancouver condo. I’d rather have the condo, but this reminds me of a study I read last year.

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Creating Systems to Get More Done (Better)

Grace Miles

I’m going to share one strategy I’ve used to get more done in music, and different areas of life. This is especially effective when you’re working on a new piece of music, or teaching.

I started keeping a timesheet recently– I spend a lot of time producing blog posts that never get published.

Last week, on a mild summer’s day, I went to the Splashdown water park, in Tsawwassen.

After spending the first half hour shivering in the water slides’ lines, I knew something had to be done about the cold, as the hot tub’s water wasn’t nearly hot enough.

To fix this water slide blasphemy, my sister and I developed a system:

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6 Tips for Enjoying a Shakespeare Play (Summer Musician Edition)

Grace Miles and Christopher Gaze at Bard on the BeachI’m not an experienced play-goer. But I have a hunch that the Shakespearean society might be reinventing itself, like German opera.

In Vancouver, the classic way to see Shakespeare is by Bard on the Beach.

Meeting the producer, Christopher Gaze, was the moment it clicked that I was in for Shakespeare. The charming gentleman speaks like an actor onstage and off.

I’m not trying to convince you to thumbs-up Shakespeare– his work speaks for itself– but if you’ve decided to visit a few of his classic works, here are a few ways to get something extra from the performance.

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Ann Makosinski & Grace Miles on Public Speaking Tips

Ann Makosinski and Grace Miles

“This girl is unbelievable.”

That’s what I first thought when I discovered Ann Makosinski and her work. Plus, she can rock a stage.

As an introverted girl (and naturally on the shy side), these are skills I wish I had when starting out, before the dealing with music students’ parents and design pitches.

Today, I’m THRILLED to share this chat with Ann Makosinski. She is awesome, as in full of awe. Not only did she invent the body-heat powered flashlight at 15 years old, but she easily commands a theatre-full of people. For musicians, this skill is especially useful for teaching music classes and workshops.

In this video, we’re chatting about public speaking tips, and other big ideas, like how to be “yourself” when you don’t fit with everyone else.

The ideas for public speaking transfer to other types of performance as well, especially piano playing and teaching.

Let’s jump right in! Here are the public speaking tips that Ann goes by:

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